Natasha Regehr

Category: Uncategorized (Page 4 of 5)

Lost for Words

This is how it feels to be a speaker of another language.

At first, you feel a little flabbergasted: “OMG! I’m actually in [insert country]! And they really do speak [insert language] here! Pretty much exclusively! It sounds so [exotic/romantic/guttural/alarming/melodic/robotic] ! I can’t believe I’m really here! Let’s play charades!”

Gradually, wonder gives way to mild curiosity. How do you say [insert unknown word]? You learn to say “hello” and “thank-you,” and the world begins to open up to you. You are a participant. And people think you’re cute. Like a pet. You can now do tricks.

But eventually, your tricks become old, and inconsequential. You can’t ask for directions with “hello” and “thank-you.” Your questions remain unasked, and therefore, unanswered. You are entirely reliant on the goodwill of benevolent translators, if you manage to find them. And then you try not to manifest yourself as the pathetic, clingy personage that you know you have become.

You feel tense. Stressed out. Apprehensive. Uneasy. It is unsettling to not know what is going on. You feel like you have no control over your environment. Decisions are made without you. Actions are undertaken without explanation, and you pour all your energy into trying to divine their purpose – only to find, more often than not, that there is no comprehensible purpose at all. Humans just act that way.

On top of all that, you feel illiterate, especially if the script you see around you is drastically different from your own. You know those signs say something important, but you can’t make it out. They tell you how to do something, or where to go, or what is forbidden. But any proficiency you once had with associating symbols and sounds is now eradicated. You are no longer a highly educated individual. You have devolved to preschool status.

Yes, preschool. Or perhaps infancy. You are reduced to making unintelligible sounds and gestures in order to acquire your basic needs. Perhaps some onlookers find this endearing. Others see you as a novelty; still others perceive you as a target. But most just find you a nuisance or a nonentity, and choose to overlook you.  

This is when you begin to feel invisible. People talk around you and through you; you are simply not there. Unlike anonymity, this is not a chosen invisibility. You are unseen, whether you wish to be or not.

Sometimes, this spirit-like existence feels a little surreal. You drift outside of yourself, and you observe the speakers as if they are part of some absurd social experiment. Do they really understand what they are saying? They must, because they respond to one another with what appears to be recognition. Really, it’s a wonder that any language “works” at all. What on earth are they communicating about, I wonder? Is it something that would interest me, if I knew? 

Which brings me to one of the lesser-known by-products of other-lingualism: boredom. It’s stressful and brain-consuming to try to untangle the intricacies of human interaction for any length of time, and eventually, your circuits overheat. You shut down. You tune out. And then the boredom begins. Because, you see, propriety requires that you continue to look like you’re listening, even when you aren’t. You cannot amuse yourself with other more engaging activities, or have an interesting conversation with some other human being who understands you. You are forced to retreat entirely into your own thoughts — which tend to be dominated by your feelings of invisibility, illiteracy, and unease. This is a dangerous descent.

If you are lucky enough to be studying the language that surrounds you, you have a slight advantage. You can assert your presence and perhaps generate a response from someone else. You can figure out what the signs are about, even if you can’t pin down their meaning. The language loses some of its mystique, and you find that if you listen hard enough, you can crack bits of its code. This can lead to moments of elation, but they are always tempered by the awareness of the vast expanse of the language that remains locked to you. Triumph and disillusionment walk hand-in-hand; there is always still so much to learn.

So even with the pleasant ripples of intellectual stimulation that come from mastering bits and pieces of the language, it still comes down to an overwhelming linguistic fatigue, followed by the inevitable gnawing boredom. Couple that with a naturally introverted demeanour, and a mild social anxiety that manifests itself even within your own language group, and you get a little slice of misery.

Remember this when the other-language-speakers among you come out of hiding. They are starving for the same human interactions that they observe around them everywhere they go; and they are trying; but they are tired. They are so tired. An unlearned language weighs more than you realize.

We who speak other languages have one suspicion, and that one suspicion gives us a speck of hope. We are people, and the speakers around us are people, and people of any linguistic shade are inclined to form relationships. We suspect that relationships may be possible, despite the barriers between us, and we yearn for them. We yearn to share our dormant sense of humour and our long-buried stories. We have stories, you know — each one of us. We have a past, with cataclysms and victories and mundanities that shaped us into the interesting people we are, behind our silence. We think that perhaps you have stories, too, and that some of them may run parallel to ours; that we could meet somewhere, in these stories, if we just knew how to get around the cultural divide. We want to know you. We want you to know us. But we are vulnerable, and we are tired, much too tired for words.

Taroudant, Part 1: Mangez!

“Ask him if you’ll need your passport,” I suggest smartly. Smartly, because this is a perfectly reasonable question to ask when an 81-year-old Moroccan offers to take you to his village to buy argan oil. Never mind that his village is only an hour away, and you’re just going for the day, and there are no border crossings in sight. Moroccans in uniforms of various sorts like asking for passports. It’s their way.

Haji, our esteemed elder, is holding a red vinyl bag and gesturing towards his argyle cardigan. “Deux,” he says. “Two.” One for today, one for tomorrow.

I guess we are staying overnight then. I’d best get packing. Toothbrush, underwear, just the essentials. Quick. He’s waiting. Tapping his watch. “Vas-y! Vas-y! Go there! Go there!” Yes, sir. I’m going, sir.

We drive for a little while. Twenty minutes, maybe? And then we stop outside these big metal doors in the middle of Moroccan nowhere. Haji starts banging. Bang, bang, bang. Finally the monstrous gate opens and we drive through.

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Going Solo: I Can Do This

It happened this weekend that my desire to attend an out-of-town event exceeded my fear of going alone.  Here’s the story of my first solo excursion outside Casablanca to attend the Visa for Music showcase in Rabat.

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Going Solo: Part 1

It is 1:25 pm (or 13:25, as they say around here), and I am triumphant. I have skillfully and cheerfully accomplished the first of the many daunting feats before me today: I have boarded a train. Continue reading

Flight 209

“Ladies and gentlemen, this is the final boarding call for Royal Air Maroc flight 209 to Casablanca.  All passengers should now be seated on the plane for take-off.”

What? How did that happen? An hour ago, there was still a whole hour left to wait.  I was blogging furiously, trying to get that “in transit” story posted while I was actually still in transit.  I heard lots of Air France calls for flights to Paris.  Every 30 seconds a smooth voice urged me, in loud, clear, unmistakable English, to head directly to France.  I was not a fool.  I knew that it was a trick.  I was not going to France.  Silly airport!

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Ready or Not…

IMG_3185What a whirlwind. How else can I describe the flurry of these last few days? I’ve been spinning in circles from one house to the next, one car to the next, and one suitcase to the next. And now I’m here, sitting at Gate B25, waiting for my boarding call.

Many of you have been kindly emailing, phoning, texting, and dropping by, and the questions are always the same: “Are you excited? Are you nervous? Are you ready?” Continue reading

Swan Song

“Hey, are these guys any good?” I asked, gesturing at the Peterborough Singers brochures on the counter. It was February, 2008, and I was hauling yet another load of mistreated school band instruments to B Flat Music for a little TLC.

“Oh, yes, very good!” declared Peg McCracken.

“You’ve heard them, then?” I asked skeptically.

“Heard them? I’ve sung with them for eighteen years!”

Undaunted, I pressed her further. “What kind of music do they sing?” I was not into the flaky schmaltz that so many community choirs seem to thrive on. I made that immediately and unapologetically clear.

“Well, we’re singing Bach’s St. Matthew Passion in our next concert. You should join us!”

Wait. A. Minute. Are you telling me that a place exists in Peterborough where I can go and sing exclusively Bach for two hours a week, every single week, until May? Pinch me hard; I must be dreaming.

“Start by coming to our concert this weekend. If you like it, we can set up an audition.”

I went. The moment the choir started singing, Continue reading

Morocco, Part 2: Home Appeal

Who would have thought that moving to Morocco would arouse a sort of grief?

But it has – a strong and foolish grief that has me paralyzed with inactivity. I call it house grief. And I don’t mean that I’m feeling inconvenienced or annoyed (as in, “This broken zipper is causing me grief”); no, I’m embarrassed to say I am grieving over a carefully constructed pile of bricks.

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On Criticism

I was fortunate today to attend an inspiring writer’s workshop with a pretty welcoming and inclusive crowd; my first such experience, however, was not quite so affirming.  Here’s a brash little tale about a critic from my rather distant past.

She trundles into class on the first day and everyone acknowledges her with an affectionate respect. I wonder why.

The first thing is her posture. It plots with her rather unremarkable clothing to create a bag lady effect. I feel sorry for her. How brave of her to come. Continue reading

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